Highlights from The Cleveland Museum of Art’s release of more than 30k images of public domain works
The Public Domain Review - January 31, 2019 in Uncategorized
The Public Domain Review - January 31, 2019 in Uncategorized
Adam Green - January 31, 2019 in Cleveland Museum of Art, cmaopenaccess, open collections, Open Content
The Public Domain Review - January 30, 2019 in Uncategorized
Adam Green - January 30, 2019 in future history, libraries, library, retrofuture, retrofuturism
Javiera Atenas - January 30, 2019 in Featured, guestpost, oer, Open Science, open-education

SCOOTER shared resources on social care, nursing, genetics, personal experiences, art, and included the involvement of the pathology department at the local hospital, Leicester Royal Infirmary.This started a collaboration where they would share biomedical content (data, graphs, photographs) under open licenses that we would repackage as educational materials. We’d both use the OER in our teaching or training of biomedical scientists in the lab.
Professor Dyson’s main area of work is in providing healthcare policy documents for schools that give plain speaking guidance for helping young people, and these are certainly some of the projects most visited pages over the 8 years. These vital guides have been translated into many languages.
Scooter received personal reflections from students and healthcare professionals. In one, Professor Elizabeth Anionwu shared a video of her experience of setting up the first nurse counselling services in the UK [https://www.youtube.com/watch?v=VK0p8t-NA-Q]. My most favourite recent editions is a song composed and performed by students in a school in Africa – Sikul Sel.
As I reflect back on the very first blog post on November 27th2010, we achieved our goals of making the project ‘search engine optimised’ by using researched keywords, having content in multiple formats (also for accessibility), and sharing content on multiple social media platforms (for sustainability). The WordPress blog was perfect for this. I’ve just about managed to keep the blogs afloat in the subsequent years – slightly irked that I’d never received any thanks or support from the university as a whole, but very grateful that I’d discovered Reclaim Hosting who have been so generous as to assist with the very occasional technical difficulties.
“New challenges will surely emerge as economic factors change the face of Higher Education in the UK and wider a field, and Open Education may hold the key to the future as students choose their own educational settings and tailor-make their own experiences”.
Oh how I should have placed a bet on that one! How insightful of me at the time. Yes, there would be only one more year of OER funding in the UK, but within a few years any funding for digital, pedagogic or teaching-enhancement research in the UK would cease. The HEA is no longer and Jisc continues to merge with other sector agencies [https://www.jisc.ac.uk/news/hesa-and-jisc-integration-10-jan-2019]. The fate of OER is shaky, with many of the original resources produced between 2009 and 2012 no-longer retrievable, and certainly the communities and the learning lost. Has OER held the key for students (to) choose their own educational settings and tailor-make their own experiences”.
I think I foresaw a booming OER sharing economy at that time, and I think students gained not so much by having access to these materials to support heir learning, but certainly were enthused and grew through co-creating and contributing to resources and the project. Sadly I think UK higher education policy has put the nail in the coffin for that opportunity, with universities ever-more competing for students rather than investing in the sharing of resources. The quest to achieve good TEF outcomes has leveraged a culture of league tables at the expense of learning (in my opinion). What hampered all of my OER projects was the continual turnover of senior staff and continuing having to lobby for support for projects rather than them being embedded in learning and teaching and/or digital strategy. I don’t think we really considered how easy it would be to repurpose materials, although in my experience people are overwhelmingly happy to link to them and use them directly as they are. Maybe repurposing was a bit of a red-herring.
I don’t think I’ll ever forget the buzz and excitement of working on this project – my first major external funding award. I’m proud that SCOOTER lives on and wish there was some way it could be reignited as a repository for educational materials for this all important subject. The Nursing Times only last year called for more teaching on this subject.
In our paper that surveyed over 200 university educators, it was concluded that sickle cell was a major public health issue globally that is neglected in university curricula across the board, not just nursing and health professionals (1).
Ref
(1) Rolfe, V., Fowler, M., & Dyson, S. M. (2011). Sickle cell in the university curriculum: a survey assessing demand for open-access educational materials in a constructed community of interest. Diversity in Health & Care, 8(4). https://www.dora.dmu.ac.uk/xmlui/handle/2086/5952
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Lieke Ploeger - January 29, 2019 in open culture, Open GLAM, OpenGLAM, Policy, Public Domain
Due to complicated legal proceedings, the last new release of public domain material in the US was in 1998, for all works dating from 1922. But from now on, each following year we will expect to see a new batch of material freed of copyright restrictions (so content from the year 1924 will become available from 2020 onwards, content from 1925 in 2021, and so on). This is good news for everyone, since the availability of such open cultural data enables citizens from across the world to enjoy this material, understand their cultural heritage and re-use it to produce new works of art.
The Public Domain Review, an online journal & not-for-profit project dedicated to promoting and celebrating the public domain, curated their Class of 2019: a top pick of artists and writers whose works entered the public domain this year. A full overview of the 2019 release is available here. A great way to celebrate this public domain content in 2019 could be to organise events, workshops or hackathons using this material on Open Data Day, the annual celebration of open data on Saturday 2 March 2019. If you are planning an event, you can add it to the global map via the Open Data Day registration form.
Coinciding with this mass release of public domain works, the Public Domain Manifesto that was been produced within the context of COMMUNIA, the European Thematic Network on the digital public domain, has now been made available via a renewed website at publicdomainmanifesto.org. Describing the public domain material as “raw material from which new knowledge is derived and new cultural works are created”, the manifesto aims to stress the importance of the wealth of the public domain to both citizens and policy-makers, to make sure its legal basis remains strong and everyone will be able to access and reuse the material in the future.
The manifesto describes the key principles that are needed to actively maintain the public domain and the voluntary commons in our society, for example to keep public domain works in the Public Domain by not claiming exclusive rights to technical reproductions of works. It also formulates a number of recommendations to protect the public domain from legal obstacles and assure it can function to the benefit of education, cultural heritage and scientific research in a meaningful way. There are currently over 3.000 signatures of the manifesto, but additional support is important to strengthen the movement: you show your support by signing the Public Domain Manifesto here.
nikki - January 29, 2019 in Uncategorized
Open Knowledge Brasil - January 25, 2019 in Dados Abertos
Isis Reis - January 24, 2019 in Destaque, Lei de Acesso