You are browsing the archive for Images.

Selection from Wellcome Library’s release of 100k openly licensed images

Adam Green - January 20, 2014 in collections, Digital Copy: Attribution, history of medicine, Images, Images-15th, Images-16th, Images-17th, Images-18th, Images-19th, Images-Science, Underlying Work: PD Worldwide, Wellcome Library

This morning the Wellcome Library announced its release of 100,000 of its historical images under an open license (CC-BY – meaning they are free for any re-use provided that the Wellcome Library is credited). The range and quality of the images released is phenomenal. The collection covers more than a thousand years of imagery relating to the history of medicine, including manuscripts, paintings, etchings, early photography and advertisements – from medieval Persian anatomy to the satirical prints of Rowlandson and Gillray. This move by the Wellcome is yet another recent example of a hugely respected institution releasing digitisations of its public domain content under an open license – with the last 6 months seeing The Getty and The British Library making similar moves. It’s a really promising sign of a more general shift toward opening up public domain content that we’ve seen taking place in the cultural sector over the last couple of years. Wonderful stuff! This selection from Wellcome’s release that we’ve chosen below is from just the first 1% of the 100,000 images made available. Remember, all are published under an CC-BY license so, if re-using, you must credit the “Wellcome Library, London”. Just click on the images […]

Scenes relating to the life of Charles IV, King of Spain (1788)

Adam Green - January 15, 2014 in charles IV, collections, Digital Copy: No Additional Rights, Images, Images-18th, Images-Engraving-Line, king of spain, Library of Congress, numbers, spain, Underlying Work: PD Worldwide, woodcut

Woodcut print showing forty-eight numbered scenes relating to the life of Charles IV, King of Spain.

Rainbow coloured beasts from 15th century Book of Hours

Adam Green - January 9, 2014 in beasts, Beinecke Rare Book and Manuscript Library, book of hours, collections, Digital Copy: No Additional Rights, grotesques, Images, Images-15th, Images-Animals, Images-Illumination, medieval, monsters, Underlying Work: PD Worldwide

A selection of wonderful little illustrations found in a Book of Hours attributed to an artist of the Ghent-Bruges school and dating from the late 15th century. In the pages without full borders the margins have been decorated with an array of different images depicting flowers, birds, jewellery, animals, household utensils and these superb rainbow-coloured ‘grotesques’. Beinecke Rare Book and Manuscript Library Found via: Demonagerie Underlying Work: PD Worldwide | Digital Copy: No Additional Rights Download: Right click on image or see source for higher res versions HELP TO KEEP US AFLOAT The Public Domain Review is a not-for-profit project and we rely on support from our readers to stay afloat. If you like what we do then please do consider making a donation. We welcome all contributions, big or small - everything helps! Become a Patron Small angel : £3.00 GBP - monthly Medium sized hero : £5.00 GBP - monthly Large emperor : £10.00 GBP - monthly Vast deity : £20.00 GBP - monthly Make a one off Donation SIGN UP TO THE NEWSLETTER Sign up to get our free fortnightly newsletter which shall deliver direct to your inbox the latest brand new article and a digest of […]

The British Library’s “Mechanical Curator” million

Adam Green - December 19, 2013 in British Library, collections, Digital Copy: No Additional Rights, Images, Images-17th, Images-18th, Images-19th, Images-Animals, Images-Design, Images-Engraving-Line, Images-People, Images-Photography, Underlying Work: PD Worldwide

Last week the ever-incredible British Library announced that they were gifting more than 1 million images to the world, uploaded to Flickr Commons under the public domain mark, meaning complete freedom of re-use. The range and breadth of images is phenomenal. As they say in their post announcing the release the “images themselves cover a startling mix of subjects: There are maps, geological diagrams, beautiful illustrations, comical satire, illuminated and decorative letters, colourful illustrations, landscapes, wall-paintings and so much more that even we are not aware of”. Each image was extracted from its respective home (books making up a total of 65,000 already digitised volumes) by a program known as the ‘Mechanical Curator’, a creation of the British Library Labs project. A crowdsourcing application is being launched in the new year (likely using tools developed by our very own Open Knowledge Foundation!) to help describe what the images portray – and the British Library is also putting out a general plea for people to innovate new ways to navigate, find and display this incredible array of images. (Email BL Labs here). Although, of course, it will one day be wonderful to be able to sort and filter these images into […]

Hand coloured photographs of 19th century Japan

Adam Green - December 17, 2013 in albumine, collections, Digital Copy: No Additional Rights, early photography, felice beato, Images, Images-19th, Images-People, Images-Photography, japan, Library of Congress, Underlying Work: PD Worldwide

A selection from a series of 42 hand coloured albumine prints – a process which used the albumen found in egg whites to bind the photographic chemicals to the paper – taken around 1880. The presence of the pictures in the Dutch National Archieff reflects a long relationship between Japan and the Netherlands, the result of an exclusive commercial relationship that would last for more than two centuries (1641-1855). Housed at: Flickr: The Commons | From: Nationaal Archieff Underlying Work: PD Worldwide | Digital Copy: No Additional Rights Download: Right click on image or see source for higher res versions The following pictures from the collections of the Library of Congress are by the Italian–British photographer Felice Beato (probably also the creator of the images above), one of the first people to take photographs in East Asia and one of the first war photographers. Library of Congress Underlying Work: PD Worldwide | Digital Copy: No Additional Rights Download: Right click on image or see source for higher res versions HELP TO KEEP US AFLOAT The Public Domain Review is a not-for-profit project and we rely on support from our readers to stay afloat. If you like what we do then […]

Edward Lear’s Walk on a Windy Day (1860)

Adam Green - December 12, 2013 in Beinecke Rare Book and Manuscript Library, birds, collections, Digital Copy: No Additional Rights, edward lear, flying, humour, Images, Images-19th, Images-Animals, Images-Illustrations, Images-People, Underlying Work: PD Worldwide

An Edward Lear story concerning a man, referred to simply as E.L., taking the grave risk of going out for a walk on a windy day and living the consequences. These ten rare sketches are in a bound edition living in the Frederick R. Koch Collection at the Beinecke Rare Book and Manuscript Library in Yale University. Beinecke Rare Book and Manuscript Library Underlying Work: PD Worldwide | Digital Copy: No Additional Rights Download: Right click on image or see source for higher res versions HELP TO KEEP US AFLOAT The Public Domain Review is a not-for-profit project and we rely on support from our readers to stay afloat. If you like what we do then please do consider making a donation. We welcome all contributions, big or small - everything helps! Become a Patron Small angel : £3.00 GBP - monthly Medium sized hero : £5.00 GBP - monthly Large emperor : £10.00 GBP - monthly Vast deity : £20.00 GBP - monthly Make a one off Donation SIGN UP TO THE NEWSLETTER Sign up to get our free fortnightly newsletter which shall deliver direct to your inbox the latest brand new article and a digest of the most […]

Specimens of Chromatic Wood Type and Borders (1874)

Adam Green - December 4, 2013 in chromatic wood type, collections, Columbia University Libraries, Digital Copy: No Additional Rights, Images, Images-19th, Images-Design, Internet Archive, typography, Underlying Work: PD Worldwide

Some select pages from the exquisite Specimens of Chromatic Wood Type, Borders, Etc. (1874), a specimen book produced by the William H. Page wood type company. Chromatic types, which were made to print in two or more colours, were first produced as wood type by Edwin Allen, and shown by George Nesbitt in his 1841 Fourth Specimen of Machinery Cut Wood Type. It is William H Page’s book, however, that is considered to be the highpoint of chromatic wood type production. As well as providing over 100 pages of brilliantly coloured type, the book can also be seen, at times, to act as some sort of accidental experimental poetry volume, with such strange snippets as “Geographical excursion knives home” and “Numerous stolen mind” adorning its pages. One wonders whether the decisions about what words to feature and in what order were entirely arbitrary. Thanks to the wonderful Bibliodyssey blog where we came across the book: visit the post there for more info on the book and a great list of related links. Housed at: Internet Archive | From: Columbia University Libraries Found via: Bibliodyssey Underlying Work: PD Worldwide | Digital Copy: No Additional Rights Download: Right click on image or […]

Music manuscripts from the 17th and 18th centuries in the British Library

Adam Green - December 3, 2013 in beethoven, British Library, CC, classical, classical music, collections, Curator's Choice, Digital Copy: No Additional Rights, handel, haydn, Images, Music, purcell, Underlying Work: PD Worldwide

CURATOR’S CHOICE #6: SANDRA TUPPEN FROM THE BRITISH LIBRARY Sandra Tuppen, curator of Music Manuscripts at the British Library, explores some highlights from their digitised collection of music manuscripts, including those penned by the hand of Haydn, Handel, Purcell, and a very messy Beethoven. Ever since the earliest methods of notating music were devised, composers and scribes have written out music by hand – on vellum in the medieval period and subsequently on paper. (Only now is this beginning to change, with the advent of computer programs for music notation.) Even after the perfecting of music printing techniques in the 16th century, when music was printed using moveable type and later by engraving, and the burgeoning of a trade in music publishing, much music continued to be written out by hand and circulated in manuscript. Printing music was expensive, time-consuming and complex; copying out music by hand could be done relatively cheaply and quickly, especially when a few copies only of a particular composition were needed. In the 17th and 18th centuries, music was written out in manuscript for several purposes. These included the creation of ‘master copies’ from which further handwritten copies could be made when required, the provision […]

Fortunio Liceti’s Monsters (1665)

Adam Green - November 20, 2013 in collections, Francis A. Countway Library of Medicine, Images, Images-17th, Images-Animals, Images-Engraving-Line, Images-People, Images-Science, Internet Archive, Underlying Work: PD Worldwide

Highlights from the illustrations in the 1665 edition of Fortunio Liceti’s De Monstris, originally published, without the illustrations, in 1616. Liceti’s work, although not the first on the topic of deformities in nature, was perhaps the most influential of the period. In the wake of the book there was a huge rise in interest throughout Europe in “monstrosities”: pygmies, supposed mermaids, deformed fetuses, and other natural marvels were put on display and widely discussed, becoming the circus freak-shows of their time. However, unlike many of his contemporaries Licenti did not see deformity as something negative, as the result of errors or failures in the course of nature. Instead he likened nature to an artist who, faced with some imperfection in the materials to be shaped, ingeniously creates another form still more admirable. ‘It is said that I see the convergence of both Nature and art,’ wrote Liceti, ‘because one or the other not being able to make what they want, they at least make what they can.” Housed at: Internet Archive | From: Francis A. Countway Library of Medicine Underlying Work: PD Worldwide | Digital Copy: Pending Clarification Download: Right click on image or see source for higher res versions […]

Robert Cornelius’ self-portrait: The First Ever “Selfie” (1839)

Adam Green - November 19, 2013 in collections, Digital Copy: No Additional Rights, first ever photographic self-portrait, Images, Images-19th, Images-People, Images-Photography, Library of Congress, robert cornelius, selfie, Underlying Work: PD Worldwide

Today the Oxford Dictionaries announced their word of the year for 2013 to be “selfie”, which they define as “a photograph that one has taken of oneself, typically one taken with a smartphone or webcam and uploaded to a social media website.” Although it’s current rampant incarnation is quite recent, the “selfie” is far from being a strictly modern phenomenon. Indeed, the photographic self-portrait is surprisingly common in the very early days of photography exploration and invention, when it was often more convenient for the experimenting photographer to act as model as well. In fact, the picture considered by many to be the first photographic portrait ever taken was a “selfie”. The image in question was taken in 1839 by an amateur chemist and photography enthusiast from Philadelphia named Robert Cornelius. Cornelius had set his camera up at the back of the family store in Philadelphia. He took the image by removing the lens cap and then running into frame where he sat for a minute before covering up the lens again. On the back he wrote “The first light Picture ever taken. 1839.” Housed at: Wikimedia Commons | From: Library of Congress Underlying Work: PD Worldwide | Digital Copy: […]