You are browsing the archive for open culture.

Celebrating the public domain in 2019

- January 29, 2019 in open culture, Open GLAM, OpenGLAM, Policy, Public Domain

2019 is a special year for the public domain, the out-of-copyright material that everyone is free to enjoy, share, and build upon without restriction. Normally, each year on the 1st of January a selection of works (books, films, artworks, musical scores and more) enter the public domain because their copyright expires – which is most commonly 70 years after the creator’s death depending on where in the world you are. This year, for the first time in more than twenty years, new material entered the public domain in the US, namely all works that were published in the year 1923. Due to complicated legal proceedings, the last new release of public domain material in the US was in 1998, for all works dating from 1922. But from now on, each following year we will expect to see a new batch of material freed of copyright restrictions (so content from the year 1924 will become available from 2020 onwards, content from 1925 in 2021, and so on). This is good news for everyone, since the availability of such open cultural data enables citizens from across the world to enjoy this material, understand their cultural heritage and re-use it to produce new works of art. The Public Domain Review, an online journal & not-for-profit project dedicated to promoting and celebrating the public domain, curated their Class of 2019: a top pick of artists and writers whose works entered the public domain this year. A full overview of the 2019 release is available here. A great way to celebrate this public domain content in 2019 could be to organise events, workshops or hackathons using this material on Open Data Day, the annual celebration of open data on Saturday 2 March 2019. If you are planning an event, you can add it to the global map via the Open Data Day registration form. Coinciding with this mass release of public domain works, the Public Domain Manifesto that was been produced within the context of COMMUNIA, the European Thematic Network on the digital public domain, has now been made available via a renewed website at Describing the public domain material as “raw material from which new knowledge is derived and new cultural works are created”, the manifesto aims to stress the importance of the wealth of the public domain to both citizens and policy-makers, to make sure its legal basis remains strong and everyone will be able to access and reuse the material in the future. The manifesto describes the key principles that are needed to actively maintain the public domain and the voluntary commons in our society, for example to keep public domain works in the Public Domain by not claiming exclusive rights to technical reproductions of works. It also formulates a number of recommendations to protect the public domain from legal obstacles and assure it can function to the benefit of education, cultural heritage and scientific research in a meaningful way. There are currently over 3.000 signatures of the manifesto, but additional support is important to strengthen the movement: you show your support by signing the Public Domain Manifesto here.

Do you use OpenGLAM? Help review shared #OpenGLAM principles for Open Galleries, Libraries, Archives and Museums

- October 15, 2018 in open culture, Open GLAM, OpenGLAM, Survey

TL;DR: As part of reinvigorating our OpenGLAM (Open Galleries, Libraries, Archives and Museums) community, we’re evaluating the OpenGLAM principles: fill out this survey and get involved. Several months ago, community members from Wikimedia, Open Knowledge International and Creative Commons reinvigorated the “OpenGLAM” initiative. OpenGLAM is a global network of people and organizations who are working to open up content and data held by Galleries, Libraries, Archives and Museums. As a community of practice, OpenGLAM incorporates ongoing efforts to disseminate knowledge and culture through policies and practices that encourage broad communities of participation, and integrates them with the needs and activities of professional communities working at GLAM institutions. One of our first steps was to revitalize the @openglam twitter account, inviting contributors from different parts of the world to showcase and highlight the way in which “OpenGLAM” is being understood in different contexts. So far, the Twitter account has had contributors from Africa, Asia, Latin America, the Middle East, North America & Europe. Anyone can become a contributor or suggest someone to contribute by signing up through this form. If you want to see the content that has been shared through the account, you can check the oa.glam tag in the Open Access Tracking Project. Now, as we move forward in planning more activities, we want to check on the continued impact of the Open GLAM Principles. Since their publication in 2013, the Open GLAM principles offered a declaration of intention to build a community of practice which helps GLAMs share their collections with the world In the last five years, the OpenGLAM community has become more global, adopted more tactics and strategies for integrating openness into institutions. But do the principles reflect this change? To find out, we’re inviting people to fill in a survey about the utility of the principles. We want to understand from the broader community: Are you aware of the principles? Are they still relevant or useful? Do you use them in your institutional or local practice? What opportunities are there to improve them for the future? The survey will run until 16th November. Your participation is greatly appreciated! To get involved with the Open GLAM working group, you can join us through 

Are you working in the OpenGLAM arena? Tweet about it!

- July 19, 2018 in open culture, Open GLAM, OpenGLAM

Starting today, community members from Open Knowledge International, Wikimedia Foundation, and Creative Commons, will be facilitating a rotating curation of the @openglam twitter account to highlight and reflect on the impact of  “OpenGLAM” (Galleries, Libraries, Archives, and Museums) in their respective contexts. OpenGLAM is a global network of people and organizations who are working to open up content and data held by Galleries, Libraries, Archives and Museums. As a community of practice, it incorporates ongoing efforts to disseminate knowledge and culture through policies and practices that encourage broad communities of participation, and integrates them with the needs and activities of professional communities working at GLAM institutions. GLAMs are powerful institutions for sharing knowledge with the world. Especially on the internet, building a practice of sharing knowledge requires adopting practices that open collections using open licensing, tools, and infrastructures. To do this work, leaders around the world have to converse, run projects, and support institutions in thinking about the larger potential of sharing their knowledge with the world. We want to use the OpenGLAM Twitter account to highlight the great work that people from different regions, linguistic communities, time zones and contexts are doing to advance openness in GLAMs. Our approach is simple: contributors will be added to the @openglam account through Tweetdeck and will get a chance to curate the conversation coming from that Twitter account for 2 weeks. You can read the instructions for participants here. If you want to contribute, please sign up on this Google form! Our first curator is going to be @samuelguebo, a Wikimedia community member who has been leading partnerships with libraries in Côte d’Ivoire  and will be attending Wikimania 2018 in Cape Town, South Africa this week. Do you have an upcoming event or activity that you think will spark a conversation? Contact us to become the next curator! Curating the @openglam account is part of a broader conversation that organizations like OKI, WMF and CC are having about growing the impact of the “big open”. We hope that this curated Twitter will open up conversations about what brings us together as practitioners and enthusiasts for Open GLAM. There has been massive change in the cultural heritage sector and open communities in the past few years – the Open GLAM community is brought together by a set of principles that may need to evolve to meet these changing contexts. We hope to hear from you soon! If you want to get involved with the GLAM at Creative Commons and beyond, please consider joining the Creative Commons Slack group.

ROUTETOPA Case Study: Hetor Pilot

- December 19, 2017 in open culture, Open Data, Route to PA, routetoPA

Since 2015 Open Knowledge International has been part of the consortium of RouteToPA, a European innovation project aimed at improving citizen engagement by enabling meaningful interaction between open data users, open data publishers and open data. In the ROUTETOPA case study series, we shine a light on public administrations, organizations and communities that have adopted and are using ROUTETOPA tools for work and discussions around open data. This case study narrative was written by Hetor Pilot’s Carmen Luciano, Vanja Annunziata, Maria Anna Ambrosino and Gianluca Santangelo and has been reposted from the RouteToPA website. Italy has a long cultural tradition and the Campania region in particular is a territory that has a huge number of worthy local resources. Campania region’s cultural heritage must be preserved and promoted: first, by public administrations, but also by citizens. Unfortunately, these actions become more and more arduous, especially in a society totally oriented to the technological world, in which people are no more interested in “old things”. The Hetor project was born with the aim of “revealing Campania cultural heritage essence via open data power”, combining cultural heritage with new technologies. The project is part of the initiatives organized by the DATABENC Technological district (High Technology Consortium for Cultural Heritage) within the EU H2020 ROUTE-TO-PA Project, and it is based on the creation and accessibility of knowledge concerning Campania cultural heritage. The term Hetor (‘heart’ in greek) is connected to the principle of ‘truth’, meaning a shared and participatory construction of knowledge. The project aims to motivate and engage public administrations, local communities and schools in co-producing open data to enhance the local cultural heritage. Therefore, we have created a website for open data concerning the cultural heritage of the Campania region, which contains official data from national institutions, such as ISTAT, MIBACT, MIUR and Campania Region. The project is even more ambitious: by logging in to Hetor’s Social Platform for Open Data (SPOD) citizens can hold discussions, using free licensed data that’s available for use all over the world, in addition to data collected on the project repository. They can also co-create contents related to their town, enhancing their local cultural heritage.

Screen grab of a co-created dataset on Hetor’s Social Platform for Open Data and a visualization created from the dataset

To reach these goals, the project follows two main directions:
  • Reuse of data, via various formats (images, GIF, articles) in order to spread the information collected within the datasets on SPOD;
  • Spreading of data, via a specific communication strategy that uses two main ways of communication, the Hetor Facebook page and the Hetor blog .
The initial activities of the project involved a group of trainees undertaking their ICT Masters program for  in “Cultural Heritage Information System” at DATABENC. They produced 8 datasets about the Cultural Heritage resources of Campania Region, including material and immaterial resources, in order to facilitate the creation of touristic itineraries to promote the territory. In the second phase, students have been involved in the project, in particular 4 schools located in the provinces of Salerno, Avellino and Caserta. At the end of the activities, conducted within the ‘School-to-work transition programme’, students have produced 19 datasets about their local resources, both tangible and intangible ones. Communities also collaborated with the project: two groups of citizens in particular, in the province of Salerno, produced two datasets related to their territory. The power of the Hetor Project lies in the combination of cultural heritage with ICT: the open data collected on SPOD are the means to promote and enhance the territory. Currently they concern the Campania region, but that could be implemented to the national level with citizen’s participation. Everyone can join us, co-creating data in order to enhance their own town, revealing information that even native citizens did not know before! To stay updated on Hetor’s future work, you can read more on this blog and follow updates via Facebook.

Remix public domain artworks: join the GIF IT UP 2017 competition

- October 11, 2017 in open culture, Open GLAM, OpenGLAM, public domain review

This blogpost has been adapted from the press release by Europeana. Open Knowledge International has for many years advocated for the importance of open cultural data, which enables citizens from across the world to enjoy this material, understand their cultural heritage and re-use this material to produce new works of art. Some examples of this work include the OpenGLAM initiative that promotes free and open access to digital cultural heritage held by Galleries, Libraries, Archives and Museums, and The Public Domain Review, an online journal and not-for-profit project dedicated to promoting and celebrating the public domain in all its abundance and variety. Another great initiative encouraging the reuse of openly licensed cultural data is the GIF IT UP competition, which is open for contributions this month. From 1-31 October, all GIF­makers, history nuts, cultural heritage enthusiasts and lovers of the internet are invited to take part in the fourth annual GIF IT UP competition. The competition encourages people to create new, fun and unique artworks from digitized cultural heritage material. A GIF is an image, video or text that has been digitally manipulated to become animated. Throughout the month, they can create and submit their own, using copyright-free digital video, images or text from Europeana CollectionsDigital Public Library of America (DPLA)Trove, or DigitalNZ. All entries help promote public domain and openly licensed collections to a wider audience, and increase the reuse of material from these four international digital libraries, including Europeana Collections. The contest is supported by GIPHY, the world’s largest library of animated GIFs. The 2017 competition will have a special focus on first-time GIF-makers and introduce them to openly licensed content. A GIF-making workshop, providing tools and tutorials to help visitors create their first artworks, will be held on 14-15 October in cooperation with THE ARTS+, the creative business festival at the Frankfurt Book Fair. One of this year’s contributions, via GIPHY The jury, made up of representatives from GIPHY, DailyArt and Public Domain Review, will be awarding one grand prize winner with an Electric Object – a digital photo frame especially for GIFs – sponsored by GIPHY. Prizes of online gift cards will go to three runners-up as well as winners in a first-time GIF-makers category. Special prizes will be allocated in thematic categories: transport, holidays, animals and Christmas cards. People are also invited to take part in the People’s Choice Award and vote on the competition website for their favourite GIF, which will receive a Giphoscope. All eligible entries will be showcased on the GIPHY channel dedicated to the competition, and promoted on social media with the hashtag #GIFITUP2017. GIF IT UP started in 2014 as an initiative by the Digital Public Library of America (DPLA) and DigitalNZ, and has since become a cultural highlight. 368 entries from 33 countries are featured on the GIF IT UP Tumblr. In 2016, the grand prize was awarded to ‘The State Caterpillar’, created by Kristen Carter and Jeff Gill from Los Angeles, California, using source material from the National Library of France via Europeana. Nono Burling, who got awarded the 2016 People’s Choice Award for ‘Butterflies’, said: “I adore animated GIFs made from historic materials and have for many years. The first contest in 2014 inspired me to make them myself, and every year I try to improve my skills.” Results of the 2017 competition will be announced in November on the GIF IT UP website and related social media.

OKFestival 2014 Stories: Open Culture at the 2014 Open Knowledge Festival

- August 28, 2014 in Fringe events, OKFestival 2014 Stories, open culture, Programme, Sessions

This post by Meredith Holmgren, Principal Investigator & Project Manager – Intangible Cultural Heritage, originally appeared on the Smithsonian Center for Folklife and Cultural Heritage’s Talk Story blog. This year’s Open Knowledge Festival (OKFest) brought together over one thousand participants to share their work in transparency and open access to government data. Taking place July […]

Coding da Vinci – Der Kultur-Hackathon

- March 26, 2014 in Deutschland, Featured, Kulturdaten, Offene Kultur, offenes Wissen, open culture, Open Knowledge Foundation, OpenGLAM

Kennt ihr gute Apps, Dienste oder Visualisierungen mit offenen Kulturdaten? Nein? Gemeinsam mit euch wollen wir das ändern und laden zu Coding da Vinci, dem ersten deutschen Kultur-Hackathon nach Berlin ein! Coding da Vinci möchte aus ganz Deutschland kulturbegeisterte Entwickler-, Designer- und Gamer/innen mit Kulturinstitutionen zusammenbringen, um gemeinsam nachhaltige Anwendungen, Visualisierungen und Apps mit offenen Kulturdaten zu entwickeln. Ziel ist es, das Potenzial der digitalen Kulturschätze aufzuzeigen und auch Daten im Kulturbereich offen zugänglich und nachnutzbar zu machen. Unter dem Motto “Let them play with your toys!” (Jo Pugh, National Archives UK) läuft der Kultur-Hackathon 10 Wochen, vom 26./27. April bis 5./6. Juli 2014. Alle Daten findet ihr demnächst ausführlich vorgestellt und zum Downloaden auf unserer Webseite. Damit ihr gut in Berlin ankommt, vergeben wir Stipendien für Reise und Unterkunft. Also einfach anmelden! Institutionen, die ihre Daten öffnen Berlinische Galerie I Ethnologisches Museum Berlin I Museum für Naturkunde Berlin I Staatsbibliothek zu Berlin – Preußischer Kulturbesitz I Stadtmuseum Berlin I Zentral- und Landesbibliothek Berlin I Max-Planck-Institut für Wissenschaftsgeschichte Berlin Über die API der Deutschen Digitalen Bibliothek stehen euch weitere Daten zur Verfügung. Für interessierte Institutionen bietet Coding da Vinci die Chance, einen neuen Blick auf den eigenen Bestand zu werfen und sich auch mit anderen Institutionen zu vernetzen. Coding da Vinci – Der Kultur-Hackathon ist ein Gemeinschaftprojekt von der Deutschen Digitalen Bibliothek, der Servicestelle Digitalisierung Berlin, der Open Knowledge Foundation Deutschland und Wikimedia Deutschland.

Einladung zur Konferenz “Zugang gestalten! – Mehr Verantwortung für das kulturelle Erbe”

- October 29, 2013 in Digitalisierung, Featured, Offene Kultur, Open Access, open culture, OpenGLAM, Termine

Wir möchten Euch herzlich zur 3. Internationalen Konferenz Zugang gestalten! – Mehr Verantwortung für das kulturelle Erbe”, am 28. und 29. November im Jüdischen Museum Berlin, einladen! Das zweitägige Programm beinhaltet internationale Beispiele kultureller Institutionen im Zeitalter der Digitalisierung, Diskussionen zum Thema Selbstverständnis, rechtliche Rahmenbedingungen und kulturpolitische Positionen. Zwei Tage lang werden Expertinnen und Experten aus Kultur, Wirtschaft, Zivilgesellschaft und Politik aktuelle Fragen des Zugangs zum kulturellen Erbe erörtern. Dazu präsentieren Vertreterinnen und Vertreter kultureller Institutionen neue Sichtweisen und innovative Projekte. Das ausführliche Programm und die Speaker findet Ihr hier.
Wo: Glashaus, im Jüdisches Museum Berlin
Lindenstraße 9 – 14, 10969 Berlin
Wann: 28.und 29. November 2013, ab 10.00 Uhr

Gern möchten wir gemeinsam mit Euch über die mit der Digitalisierung zusammenhängenden Chancen und Veränderungen für Kultur und kulturelle Institutionen diskutieren.
Entnehmt weitere Informationen unserem Flyer (Download: Flyer_Konferenz Zugang Gestalten!), dem Programm (Download: Programm_Konferenz Zugang gestalten!) oder meldet Euch direkt an. Wir freuen uns über Eure Teilnahme!

Die Konferenz wird getragen von:

OKCon 2013 Guest Post: Re:Public Domain Remix + Walk – Workshop

- September 2, 2013 in Geneva, Invited Speakers, OKCon, OKCon 2013, open culture, Open Knowledge Foundation, Robert Musil

The ninth in our series guest post by OKCon 2013 speakers is by Primavera De Filippi, Mario Purkathofer and Daniel Boos. They will be holding the satelite event ‘Re:Public Domain Remix + Walk’, part of the Open Culture programme, on Thursday 19 September, 10:00 – 18:00 @ KulturBüro, Rue de Berne 63, 1201 Genève.
The Re:Public Domain Remix is an event run by Dock18, the Open Knowledge Foundation France, Wikimedia (France & Switzerland) and Migros Kulturprozent aimed at encouraging people to remix public domain works in a creative way. In France a Public Domain Remix partnership challenge was started specifically seeking to promote the use and reuse of public domain works through an interdisciplinary and transmedial approach: rather than following the same medium, we encourage people to shift from one medium to the other (e.g. remixing a literary work into music, a photograph into a sculpture, etc). In Switzerland four Re:Public Domain events will explore the use of public domain works based on tools (eg. serigraphy, 3d printing, apps) build by artists. Overall the goal of all this activities is to promote the public domain by showing what can actually be done with it. 10:00 -13:00 @ Kulturbüro
Invited artists will act as mediator between the artworks and the public, who will be invited to remix these works. Each artist will be responsible for coordinating actions within its own stream or category, encouraging people to remix the works in front of them in new and creative ways. Each artist will be in charge of answering questions and sharing their own skills (e.g. explaining which kind of tools can be used to remix these works, and teaching people how to actually use those tools).
  • Serigraphy by So:ren Berner, Public can print their own t-shirt with Public Domain Materials. Bring your T-Shirts!
  • Track Raid mit Ableton User Group, Sound Remixing with Public Domain Materials. Bring your own laptops with Ableton Live
  • 3d Printer with Fablab Zürich, the sculpture “Neue Badende” will be printed in different colors on a 3D-Printer.
  • App by Christoph Stähli, a mobile audio application to remix Public Domain materials. Bring your mobile phones!
The public will be responsible for bringing joy and creativity. Participants will be invited to either work individually on one work or to collaborate towards the creation of a larger multimedia works. 15:00 -18:00 Monte Salève
robert-musil-der-mann-ohne-eigenschaftenWalk & Book Presentation
Meeting 15:00 at Kulturbüro Geneve
In the afternoon, we will do a walk to the woods of Mont Saleve, where we present the new book by D18 Edition & Typolibre. Reading some fragments, doing field records, presenting some remixes on the wild side together with 15000 fragments by Robert Musil. His unfinished novel The Man Without Qualities is generally considered to be one of the most important modernist novels. However, the novel has not been widely read both because of its delayed publication and intricate, lengthy plot. Musil died on April 14th 1942 in Geneva.
Martha (his wife) wrote to Franz Theodor Csokor that taking off his clothes in the bathroom, maybe when doing gymnastics or just making a hefty movement, he had been hit by a stroke and, when she found him a few minutes later, did not look dead at all but so alive with some mockery and astonishment on his face. He was 61 years old and only eight people were present at his cremation. Martha cast his ashes into the woods of Mont Salève. Musil’s works entered the public domain on January 1st, 2013. Bureau Culture Geneve Monte Salève
Primavera De Filippi
Primavera De Filippi is a researcher at the CERSA / CNRS / Université Paris II. She is currently a research fellow at the Berkman Center for Internet & Society at Harvard, where is investigating the concept of “governance by design” as it relates to cloud computing and peer-to-peer technologies. Primavera holds a PhD from the European University Institute in Florence, where she explored the legal challenges of copyright law in the digital environment. Primavera is an administrator of the Communia association for the public domain, a coordinator at the Open Knowldege Foundation and legal expert for Creative Commons in France. She is also the co-founder of an artistic collective that produces interactive (digital and mechanical) works released under open licenses. Mario Purkathofer
Living in Zurich in gaps since 1998 (Residence Status C). Studied sculpting, sociology, e-business, German philology, and new media at the ZHDK from 1998–2003. Graduated 2003 in Zurich. Founded the Dock18 Space for Media Cultures of the World in 2005, and has been in charge of Dock18 since then. In his free time he teaches computer science at the free catholic school in Zurich, and supervises the project work. Other than that he does freelance work in the areas of project consultancy and innovation management. He developed the project Public Domain together with Daniel Boos, with continuous events since 2008. Daniel Boos
Daniel Boos lives in Zurich and works in Bern or Zurich. He is active in Digitale Allmend, where he was a member of the board until early 2012. Together with Dock18 he organized the Public Domain Jam. His particular interest is in the question of how works in the public domain can be creatively acquired and used again. He is interested in, and was active in the context of different network policy initiatives. These included groups such as communia,, Creative Commons Switzerland, SIUG. This concerned, among others, topics such as copyright, camera surveillance and the ironic presentation of prizes to surveillance operators. Daniel Boos is a social scientist and has a PHD from the ETH Zurich.

Wikipedians in Residence: Two Years of Open Culture

- January 27, 2012 in glamwiki, open culture, Open GLAM, open heritage

The following guest post is by Lori Byrd Phillips 2012 US Cultural Partnerships Coordinator for the Wikimedia Foundation. She was the second person to become a Wikipedian in Residence, and has served in that role at The Children’s Museum of Indianapolis for the past year and a half, where she is now also part time staff. It is cross-posted from

Wikipedians in Residence from left to right: Liam Wyatt, British Museum; Lori Phillips, The Children's Museum of Indianapolis; Benoît Evellin, Wikimédien en résidence au Château de Versailles; Sarah Stierch, The Smithsonian Institution. Photo by Andrew Lih (cc-by-sa 3.0).

It was just under two years ago when Liam Wyatt proposed a concept that seemed so bold, it required the British Museum to run a risk assessment before they’d agree to it. Liam suggested that he serve as the “Wikipedian in Residence,” a role that would allow him to put into practice the idea that cultural institutions should share their knowledge with Wikipedia. Thankfully, the British Museum agreed. That basic premise has turned into a global movement known as GLAM-WIKI (Galleries, Libraries, Archives, and Museums). Today, the GLAM-WIKI community is made up of Wikimedians from around the world who work to establish models and best practices that help cultural institutions share their resources with Wikimedia. Prior to Liam’s residency in June 2010, cultural institutions had donated images to Wikimedia Commons, but there had not yet been an institution that committed to establishing a relationship with the Wikimedia community. The concept of building a mutually beneficial cooperation is at the heart of the Wikipedian in Residence scheme. The main role of a resident is to serve as a liaison between the museum and Wikipedia. Projects still include image donations, but now more often focus on staff workshops, outreach events (such as “Backstage Passes”) to connect with local Wikipedians, and on-site events (such as “Edit-a-Thons”) that help get cultural content out of the filing cabinets and into Wikipedia. Following the British Museum, the Wikipedian in Residence trend began to spread. My residency at The Children’s Museum of Indianapolis began in August 2010, followed in early 2011 with the Château de Versailles, Derby Museum and Art Gallery, and the Museu Picasso. By May 2011, two more major institutions joined in: the US National Archives and Records Administration (NARA) and the Smithsonian Institution’s Archives of American Art. In July 2011, Daniel Mietchen became the Wikimedian in Residence on Open Science. Working with the Open Knowledge Foundation, this was the first residency to adapt the GLAM model to open science — an exciting advancement of the Wikipedian in Residence concept! Even more residencies began in late 2011, including the Israel Museum, and many are in the works for 2012 and beyond. I’ve enjoyed watching the evolution of the Wikipedian in Residence concept as it has been implemented in different institutions. Each residency has shown its own strength. At the Derby Museum, Roger Bamkin followed through on an idea to improve the multilingual capabilities of QR codes in exhibits. What resulted was QRpedia, a QR code-generating website that detects the language of the user’s phone and links to the Wikipedia article in that language. QRpedia has now been implemented in museums in the US and Europe and has been nominated for a Smart UK award. Dominic McDevitt-Parks, the Wikipedian in Residence at the NARA, has broken new ground in facilitating the digitization and transcription of primary source materials through Wikisource and Wikimedia Commons. NARA’s cooperation with Wikipedia has been strongly incorporated into their broad strategy of increasing digital accessibility to their holdings and has proven to be a point of pride for the Archivist of the United States, David Ferriero. The concept of the Wikipedian in Residence has come a long way since the British Museum’s big gamble. Now, those who have served as Wikipedians in Residence travel the world presenting projects to increasingly enthusiastic cultural professionals. In April, four residents will come together from three countries to present at the American Association of Museums, the largest and most significant museum conference in the US. I can’t wait to see what incredible residencies and cooperations are around the next corner. For additional information about Wikipedians in Residence, see the information page on GLAM Outreach or the GLAM Infographic.